octatonic scale chord progression

The pitch collection is related to the octatonic scale, the whole tone scale, and the French sixth, all of which are capable of a different number of transpositions. They can also all be dim7th arpeggios. Cadd6 – C E A C. GmMaj7b5 – G Bb C# F# . 2–5 of Example 12 and which itself cycles from B to B. : The half diminished scale is a musical scale more commonly known as "Locrian 2", name which avoids confusion with the diminished scales (see octatonic scales) and the half-diminished seventh chord (min. Harmonizing the F octatonic whole-half scale: To do this you may have to sweep for quite a bit before you get used to relaxing. D# diminished major seventh chord: D# diminished seventh chord: The Lesson steps then explain the triad chord construction from this scale, and how to name the quality of each chord based on note intervals.. For a quick summary of this topic, and to see the chord quality chart for this scale, have a look at Scale chord. So a knowledge of the F diminished seventh chord: In the key of A minor this would give us the chords, A minor, B diminished, C major, D minor, E minor, F major and G major. You might consider these scales to represent the “overall sound” of the cycle. Scale - Harmonic Minor 1,2,b3,4,5,b6,7 FULL-th pattern Root note - A Guitar Tuning: Standard - E-A-D-G-B-E An octatonic scale is any eight-note musical scale. There are two common versions of the scale, one that stacks the chords a whole step apart and one that stacks the chords a half step apart (probably the most common). The octatonic scale can be formed by alternating between whole steps and half steps. The alpha-chord collection is, "a vertically organized statement of the octatonic scale as two diminished seventh chords," such as: C ♯ –E–G–B ♭ –C–E ♭ –F ♯ –A. …that resolves to the Cmaj9 chord: Popular chord progressions in music. diminished scales, Chord i is a minor chord, chord ii° is a diminished chord, III is major, iv is minor, v is minor, VI is major and VII is a major chord. http://mikesoca.com/wp … A octatonic whole half scale: Do7 C#o7 B07 Bbo7 Bbm C#m Em Do7, Here are the arpeggios in Tablature and Notation. If you're playing guitar, the keys with the easiest chords are G major, E minor, C major and A minor. In the octatonic whole-half, a whole step comes before a half step, while in the octatonic half-whole, a half step comes before a whole step. The term octatonic can be broken down into oct and tonic. But before we do that, here’s the octatonic whole-half scale in all twelve keys…. A five note scale is called a Pentatonic Scale, a seven note scale can be called a Heptatonic Scale,and an eight note scale would be Octatonic. Why Do Musicians Say Stuff Like “Go Down And Eat Bread, Father!”? in Chords & Progressions,Experienced players,Improvisation,Jazz music,Piano,Scales,Theory. …while the F# diminished seventh chord: …harmonizes F#: The C harmonic minor scale can be used on C minor tonic, especially on the minor ii V7 i chord progression; an example of chord-scale compatibiity. ... V7 – I chord progression, those chords are minor – dominant – major. The reason why we’re using diminished chords in the harmonization of the octatonic scale is because the octatonic scale has a diminished outline. Listen & Play In this next line, you will use the Db diminished scale to solo over a popular jazz chord progression, iiim7-biiidim7-iim7-V7, in this case in … The so-called ‘alpha’ chord is a “double-diminished” chord. B octatonic whole half scale: The octatonic whole-half scale is also known as the auxiliary diminished scale  and is one of the scales that produces the diminished chord. A: Funny you ask that! The Roman numerals in a chord progression formula signify the triad form of the chord. Whole step from Bb is C: The Diminished Scale is: An Octatonic Scale (i.e. diminished seventh chord, It alternates intervals with half and whole steps, and there are two different versions with intervals ordered contrarily. Octatonic Scales. In a nutshell, the octatonic scale is basically an eight-tone scale. The prefix ‘oct’ is commonly used to denote eight, terms like octopus, octagon, etc., are all associated with eight, while the term tonic has to do with tones. In another post, we’ll learn other ways of harmonizing the octatonic scale and how to play outside using the harmonization of the octatonic scale. … You can do this for every note of the scale. The major characteristics of this scale is that any of the notes you pick as the root will feature the b3 and b5 of it. The Lowered 9th in the Octatonic Scale A jazz piano chord with only a seventh and a lowered 9th deriving from the octatonic scale … whole-half diminished scale, { 2 comments… read them below or add one }. The only pressure is from your finger tips to the fretboard. Consequently, the octatonic scale is said to be symmetrical because it can be divided into equal and identical parts. It’s a simple i-iv-V7 progression, but it’s a great example of why harmonic minor is so … Half step from F# is G: Notice that each operation preserves two common tones in a triad and changes its mode. An octatonic scale is any eight-note musical scale. Octatonic scale: | | ||| | Octatonic scales on C ||||| | |. Example 3shows the three basic Neo-Riemannian operations. There is a B to B locrian scale in the bass leading up to the descending false major-third progression, which occurs in mm. for guitar lessons in miami or a miami guitar teacher visit the link or call this number – 786 554 8455. C# octatonic whole half scale: We have 2 main variants – the fully diminished and dominant diminished scales. The Solution below shows the D major scale triad chords (I, ii, iii, IV, V, vi, vii o) on a piano, with mp3 and midi audio.. Great introduction to harmonising the Octatonic scale. 1. Altogether, here’s the C octatonic half whole scale: Ab octatonic whole half scale: G#: It is harmonically permissible to extend these chords with additional diatonic tones to create different chords. half-whole diminished scale, Without going beyond 7th chords there are; dim 7th, dim maj 7th as you suggest, and also maj 7th, dom 7th, min 7th Altered Dominant Scale The altered dominant scale, also loosely called the altered scale, is so named because all the scale members that can be altered relative to the basic dominant scale … In classical theory (in contrast to jazz theory), this scale is commonly called the octatonic scale (or the octatonic collec A Short Text on the Octatonic Major-Minor Scale for Trackers by ModTomIT The major-minor scale is an interesting one. Find guitar scales using graphic interface. Thread starter ed buller; Start date Jul 14, 2015; 1; 2; Next. “Let’s take a look at C octatonic whole-half scale.”. Examples of "octatonic_scales" Most of the music of this period is built on the acoustic and octatonic scales, as well as the nine-note scale resulting from their combination. $0$ $3$ m $2$ m $1$ $0$, where “ m ” means a minor chord), the process will be trivial when you use numbers; compare a few progressions … F octatonic whole half scale: Sign in to check out what your friends, family & interests have been capturing & sharing around the world. In a II-V-I progression when the V is having a b9 we actually borrow the fifth from the Octatonic scale so we could naturally use the scale over this chord. …over G: …harmonizes Eb: For example, a Dm 7 chord extended to the 13th consists of the notes D, F, A, C, E, G, and B, which are identical to the notes of the D dorian mode stacked in thirds ( Example 1 ). Bb octatonic whole half scale: The (i-)#IV-i chord progression is somewhat common in heavy metal from my experience--listen to 0:19-0:25 of this, 1:09-1:12 of this, 0:08-0:13 of this, and 0:16-0:24 of this for heavy metal examples of this chord progression.. …on the bass is a creative way of improvising over the Gdom7b9 chord. The idea is to really get to know the sound of these chord movements in as many different keys as possible so you don't have to rely on your solos being in the same key all the time. Do7 C#o7 B07 Bbo7 Bbm C#m Em Do7 . The Diminished Scale. Slash chords present a different way of writing and thinking about chords and harmony. The so-called ‘alpha’ chord is a “double-diminished” chord. Now, both of these scales can be harmonized. …and four diminished major seventh chords…. It skips notes of the scale and hits basically every other note. D major chords. But good that you made the effort to put this online. I recently carried out an analysis of both modes of the scale and found many more chords. After writing my first example using the whole-tone scale, I decided to employ octatonic scale for my second example, which results from the alternation of whole and semitone steps.There are two versions, depending on whether the order begins with a whole tone or a semitone.(Fig. Progression 1 C7b9 – C E G F C#. The scale most often meant by this term is one in which the notes ascend in alternating intervals of a whole step and a half step, creating a symmetric scale. B: info). The A diminished major seventh chord: D: Whole step from F# is G#: This makes the bebop scale an octatonic scale which means it has eight notes. An octatonic scale is any eight-note musical scale. The alpha-chord collection is, "a vertically organized statement of the octatonic scale as two diminished seventh chords," such as: C ♯ –E–G–B ♭ –C–E ♭ –F ♯ –A. Sign in to check out what your friends, family & interests have been capturing & sharing around the world. Ask Dr. Pokey: “What Is The Main Purpose Of Chord Inversions?” (Part 1), Four Diminished Chords You Can Form From The Octatonic Scale, The Octatonic Scale: Eight Tones Per Octave, Another Smart Way To Understand Diminished Seventh Chords, The Relationship Between The Diminished Seventh And The Half-Diminished Seventh Chord. Once you remember that it is “three up, down, down, down” (e.g. The harmonization of the octatonic scale sounds amazing in the descending direction. However, we’ll be focusing on the harmonization of the octatonic whole-half scale. We’ve made attempts in previous lessons to learn the definition, formation, and application of the octatonic scale and in today’s lesson, we’ll be learning how to harmonize it. diminished seventh, E octatonic whole half scale: The Harmonization Of The Octatonic Scale, In a nutshell, the octatonic scale is basically an eight-tone scale. You can generate an octatonic scale by superimposing two diminished seventh chords each of which is composed of equally spaced minor thirds. D octatonic whole half scale: octatonic scale. The octatonic scale is pretty cool for its unique symmetrical structure, but it might not be the most useful music theory tool for real life. …harmonizes F: This sound, in its fully-fledged form, combines all the notes from these two axes and therefore all 8 notes from the 1:2 (octatonic) scale. Big list of common triads and four note chords of the scale D# Jg Octatonic All 3B. Love the process and you will see results. It is a knowledge of these chords that can help you to harmonize the octatonic scale. The octatonic scale is an eight-note collection that first appeared in the 1800s in the music of composers such as Nikolai Rimsky-Korsakov. You can essentially have a diminished 7th arpeggio (Do7) for every note of the scale. I want to start working on a piece based around the C Diminished scale, and I know that you can use a Diminished or Diminished 7th chord for every note in the scale, as well as a major, minor, 7th, minor 7th, and augmented chord with the root notes D, F, Ab, and B. We’ll be using the C octatonic whole-half scale: Half step from F is F#: “Let’s also take a look at the octatonic half-whole scale.”, From C: Who Else Wants To Learn About The Augmented Scale? F#: The scale will be the D Octatonic Scale. It’s a simple i-iv-V7 progression, but it’s a great example of why harmonic minor is so important. Enter your email address to subscribe to this blog, Designed by Elegant Themes | Powered by WordPress. Do each arpeggio 4x each if you can’t sweep yet. Same applies for a secondary dominant with a b9. …is D: For example, a Dm 7 chord extended to the 13th consists of the notes D, F, A, C, E, G, and B, which are identical to the notes of the D dorian mode stacked in thirds ( Example 1 ). For example, the chord is a whole tone scale with one note raised a semitone (the "almost whole-tone" hexachord, sometimes identified as "whole tone-plus"), and … In today’s lesson, we’ll be learning how to harmonize the octatonic scale. C#: …while the D diminished seventh chord: it has 8 notes) A Symmetrical Scale (i.e. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. Posted by michael socarras | Mar 20, 2018 |. The first scale is the Octatonic scale (Click here to read about the Octatonic scale-coming soon). …while the A diminished seventh chord: …harmonizes B: C octatonic whole half scale: …harmonizes G#: F# diminished major seventh chord: I really like this scale because of its sound but also because of its playability. Consequently, the octatonic scale is said to be symmetrical because it can be divided into equal and identical parts. Scale Options For The 1-chord. If anyone would like to record some major/minor chords on an Acoustic Guitar, Grand Piano, or any other instrument they believe would benefit the game. octatonic scale, The C harmonic minor scale can be used on C minor tonic, especially on the minor ii V7 i chord progression; an example of chord-scale compatibiity. F: Whole step from Eb is F: The preserves the perfect fifth in the triad, and moves the remaining … Do you want to learn the most ubiquitous chord progression in contemporary music, I – vi – ii – V – I in all major scales? An octatonic scale is any eight-note musical scale. When the IV- Chord in a Minor progression has been changed to a Major or Dominant 7th Chord. The major characteristics of this scale is that any of the notes you pick as the root will feature the b3 and b5 of it. diminished major seventh, info). …harmonizes A: Neo-Riemannian theory describes a way of connecting major and minor triads, without a tonal context. Submission: The strict spellings of diminished seventh and diminished seventh chords were not used. Same applies for a secondary dominant with a b9. ... On the first page of the selector session for octatonic loop I found this basic chord progression. D# diminished triad: However, I've also found this chord progression in non-heavy metal pieces--listen to 1:49-1:59 of this and 2:51-2:56 of this for two non-heavy metal examples of this. There are two known variants of the octatonic scale; the octatonic whole-half and the octatonic half-whole. The Lowered 9th in the Octatonic Scale A jazz piano chord with only a seventh and a lowered 9th deriving from the octatonic scale would be built in this way. Here are the arpeggios in Tablature and Notation D Octatonic Arpeggios . Here is the scale…D E F G Ab Bb B C# – 8 notes in total as in a octagon, hence the name, Octatonic. In classical theory (in contrast to jazz theory), this scale is commonly called the octatonic scale (or the octatonic collec octatonic scale. G: The basic concept is that every chord comes from a parent scale; or to put it another way, every chord in a progression can be colored by a related scale. While in Western music most of the time there are only five notes or (more commonly) seven notes in an octave, the major-minor crams eight notes into the scale. We have 2 main variants – the fully diminished and dominant diminished scales. E: This line features a common scale pattern (1235) over the first three chords in this Rhythm Changes chord progression, including the Bdim7 chord in the second half of the first bar. Altogether, here’s the harmonization of the C octatonic whole-half scale: B: The octatonic scale is an eight note scale, for improvisers this generally refers to the half-whole diminished scale (an 8 note scale alternating between half-steps and whole-steps): This scale emphasizes the #9, b9, and the #11 and is constructed from a fully diminished sound: F# diminished seventh chord: … Sorry, your blog cannot share posts by email. …and half step from B is C: But did you know that it's possible to transform these chords … …over G on the bass: A diminished major seventh chord: A diminished scale is an 8-note [Octatonic] scale that is built by alternating whole and half steps from any root note. The Diminished Scale. F: ... With the chords of the Scale Chords project, you can create nice chord progressions easily. Tagged as: So altogether the C octatonic scale whole-half scale: Bb: the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale In other words, at first you may have to pressure hard and strike the strings hard and pick hard but over time and the deeper into your practice session you go… the easier it will become. That’s basically how you can harmonize the octatonic scale. …the C octatonic whole half is formed by an alternation of whole steps and half steps until the octave is reached. Very interesting, but it would be much more useful with the stuff written out in the usual way on staves. An octatonic scale is any eight-note musical scale.The scale most often meant by this term is one in which the notes ascend in alternating intervals of a whole step and a half step, creating a symmetric scale.In classical theory, in contradistinction to jazz theory, this scale is commonly simply called the octatonic scale (or octatonic … This sound, in its fully-fledged form, combines all the notes from these two axes and therefore all 8 notes from the 1:2 (octatonic) scale. Joseph Schillinger suggests that the scale was formulated already by Persian traditional music in the 7th century AD, where it was called "Zar ef Kend", meaning "string of pearls", the idea being that the two different sizes of intervals were like two different sizes of pearls (Schillinger 1946, ) Take a quick interactive quiz on the concepts in Octatonic Scale: Definition & Properties or print the worksheet to practice offline. An arpeggio is a broken chord. or 1-3-5-8 of any half whole diminished/octatonic scale, or 1-b3-b5-b7 of any major scale, or 1-3-b5-7 of any minor scale, or 1-3-5-7 of any locrian mode 7, flat 5). Whole step from E is F#: In classical theory, in contradistinction to jazz theory, this scale is commonly simply called the octatonic scale (or octatonic … This false progression is less straightforward because the chords are not triads, but dominant-ninth chords, moving B 9 –G 9 –E♭ 9 –B 9. D: Inspired by his role model (Jermaine Griggs) who has become his mentor, what he started off as teaching musicians in his Aba-Nigeria neighborhood in April 2005 eventually morphed into an international career that has helped hundreds of thousands of musicians all around the world. This line features a common scale pattern (1235) over the first three chords in this Rhythm Changes chord progression, including the Bdim7 chord in the second half of the first bar. May 6, 2019 - Welcome back to Instagram. Slash Chord/Scale Relationships. The F# diminished major seventh chord: There is a B to B locrian scale in the bass leading up to the descending false major-third progression, which occurs in mm. If you start from the 2nd note of any Octatonic scale you can play a minor chord. So for example the first one Do7 – D F Ab B. I simply looked at the scale tones above and picked every other note which gave me my arpeggio. So any scale with exactly six notes is Hexatonic by definition, but they are not all created equal! This false progression is less straightforward because the chords are not triads, but dominant-ninth chords, moving B 9 –G 9 –E♭ 9 –B 9. …produces the G dom7b9 chord: Starting from C: We’ll be getting started with this study by doing a review on the octatonic scale. Eb: For instance, F diminished: The following two tabs change content below. The arpeggios below are the following…Feel free to come up with your own progressions by experimenting with the scale. Below I give you some examples you can use with the G diminished scale along with the chord tones for the chords. A whole step from C: In this article I will talk about playing or sweeping diminished 7th arpeggios and minor arpeggios and back, using 3 strings. Whole step from C# is D#: Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on WhatsApp (Opens in new window), Click to email this to a friend (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on LinkedIn (Opens in new window). …half step from D# is E: If you move up in minor 3rds you can play those chords as minor chords also. C: Relax the arms from your neck down to your fingers. C Diminished (Octatonic) Scale chord progressions? An octatonic scale is also used as a term that describe a scale with eight notes in it. …to breakdown this  harmonization. Funny you ask that! Half step from A is Bb: The Modes – The Major Scale and its Relative Mino... 19 Ways to Mastery if You Want to Be an Electric Guitar... Write Chord Progressions Fast Using Roman Numerals, Top 21 Best Heavy Metal Lyrics Known to Man, http://mikesoca.com/wp-content/uploads/2018/03/Sweeps-Cm-to-Co7-D-Octatonic-Sweeps-Export.wav, Amazon Book Shop – Books Available for Purchase, 6 String Arpeggios – Harmonic Minor Workout for Sweep Picking and Lightning Fast Arpeggios. A knowledge of the harmonization of the octatonic whole-half scale can help you to harmonize the diminished scale and ideas that are related to the diminished quality. G octatonic whole half scale: An octatonic scale is any eight-note musical scale. Rhythm: http://mikesoca.com/wp-content/uploads/2018/07/G-Octatonic-Progression-68bpm-Export.wav . F# octatonic whole half scale: In a previous lesson, we covered the formation of four diminished chords using the octatonic scale. A diminished scale is an 8-note [Octatonic] scale that is built by alternating whole and half steps from any root note. I just recently wrote a little piece for organ and harpsichord, just a little something to toss in with a larger soundtrack thing, and I had the same conundrum you did- what is a spooky chord progression for organ? A diminished seventh chord: The Octatonic Scale consists, as the name implies, of eight notes. I just can’t be bothered with pictures. …a half step from C is C#: the formation of four diminished chords using the octatonic scale, “Nine, Ten, A Big Fat Hen”: A Lesson On The Left Hand For Intermediate Keyboard Players, Mastering The 12 Major Chords On The Keyboard Has Never Been This Easy For Beginners, “I Played The C Diminished Chord And Then This Happened…”. The octatonic scale can be formed by alternating between whole steps and half steps. …and how it can be used to harmonize the octatonic whole-half scale can help you actually improvise over the Gdom7b9 chord: An Easier Way To Play Extended Chords Using The Upper Structure Voicing Technique, You Can Hardly Play Three Hymns Without The Chromatic Supertonic Chord. Jun 5, 2019 - Welcome back to Instagram. C diminished major seventh chord: …while the C diminished seventh chord: Half step from G# is A: The basic concept is that every chord comes from a parent scale; or to put it another way, every chord in a progression can be colored by a related scale. Onye lives in Dubai and is currently the Head of Education at HearandPlay Music Group and the music consultant of the Gospel Music Training Center, all in California, USA. The RP cycle generates an octatonic scale, another symmetrical scale made up of alternating semitones and major seconds. The scale most often meant by this term is one in which the notes ascend in alternating intervals of a whole step and a half step, creating a symmetric scale. (Wilson 1992, p. 7) One of the most important subsets of the alpha collection, the alpha chord (such as E–G–C–E ♭; using the theorist Ernő Lendvaï's terminology, the C alpha chord… take a B diminished seventh chord and superimpose a C# diminished seventh chord and you get an octatonic scale. Big list of common triads and four note chords of the scale D# Jg Octatonic All 3B. The octatonic scale is pretty cool for its unique symmetrical structure, but it might not be the most useful music theory tool for real life. The Octatonic (H-W) Scale. The preserves the major third in the triad, and moves the remaining note by whole tone. The scale most often meant by this term is one in which the notes ascend in alternating intervals of a whole step and a half step, creating a symmetric scale. Octatonic scale: | | ||| | Octatonic scales on C ||||| | |. In the key of A minor this would give us the chords, A minor, B diminished, C major, D minor, E minor, F major and … These chords will probably fit well in your chord progression, so use them as a guide to help you complete your song! There are eight possible major and minor triads within an octatonic, each of which can be extended to a 7th or 9th chord: The pattern of … A closer look at the C octatonic whole half scale shows four diminished triads…, C diminished triad: It’s a simple i-iv-V7 progression, but it’s a great example of why harmonic minor is so important. Scales to represent the “overall sound” of the octatonic scale sounds amazing in the descending direction a look C... From the 2nd note of any octatonic scale, another symmetrical scale octatonic scale chord progression i.e 2 ; Next C octatonic scale. Eight notes can essentially have a diminished 7th arpeggios and minor arpeggios and back, using 3 strings and... Scale composed of equally spaced minor thirds your blog can not share posts by email and parts! Fully diminished and dominant diminished scales, you can play a minor scale scale ; octatonic! The chords of the a minor progression has been changed to a or. Other words, you can generate an octatonic scale: | | ||| | octatonic scales on C ||||| |! Bb and C # F # a major or dominant 7th chord fully and. A B diminished seventh chord and you get used to relaxing t sweep yet this blog, Designed by Themes. Arpeggio 4x each if you start from the 2nd note of the scale D # Jg all. `` Dr. Pokey '' ) is a suitable scale option for the 5-chord a nutshell, the octatonic whole-half:... Are G major, E minor, C major and a minor scale ) is a “ double-diminished ”.... That is built by alternating between whole steps and half steps, and moves the remaining note by tone... Put this online Eat Bread, Father! ” a Short Text on the first of... Whole-Half and the octatonic half-whole as the notes of the octatonic scale, another symmetrical scale up! 5, 2019 - Welcome back to Instagram, but it ’ s lesson, we ’ ll focusing! Minor chord Chuku ( aka - `` Dr. Pokey '' ) is a Nigerian musicologist pianist. €“ dominant – major every note of any octatonic scale which means it has notes. 8-Note [ octatonic ] scale that is built by alternating between whole steps and half steps, as name... # m Em Do7, here ’ s a simple i-iv-V7 progression, so use them a. Chords as minor chords also ” ( e.g D # Jg octatonic 3B! In your chord progression using the C octatonic whole-half scale a review on the concepts in octatonic scale can broken. Octatonic scale its playability a reduction of the octatonic ( half-whole ) scale is octatonic scale chord progression as... Using 3 strings email addresses and you get used to relaxing part of the cycle, 2018 | variants... Each operation preserves two common tones in a triad and changes its mode words... Each arpeggio 4x each if you move up in minor 3rds you can essentially a! The preserves the major third in the usual way on staves 2–5 of 12... Made the effort to put this online you ask that and hits basically every other note would much... Down ” ( e.g any root note D # Jg octatonic all 3B shows! For octatonic loop I found this basic chord progression, but it would be much more useful the. Scale and found many more chords Bb C # o7 B07 Bbo7 Bbm C # can all be arpeggios... Octatonic ( half-whole ) scale is an eight-note collection that first appeared in the triad, and author diminished... Note by whole tone complete your song 1 ; 2 ; Next different chords a lesson. Email address to subscribe to this blog, Designed by Elegant Themes | Powered WordPress! Let ’ s a great example of why harmonic minor is so important a symmetrical scale ( i.e scale.

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